The glass-half-full analogy shows the significance of perspectives in a situation. The difference between “few” and “a few” or “little” and “a little” can change a narrative, emphasizing the importance for editors to gauge the author’s perspective.
Imagine this village, Grammarville, with three pairs of twins who’re like the grammar concept called appositives: the Siamese twins – super attached, just like how necessary appositives are for a sentence’s meaning; non-identical twins – not-so-tied, giving extra details like non-restrictive appositives; and mischievous identical twins ¬– context, like knowing which twin’s who, decides their use. Identifying twins needs attention – so is the case for editors!
The principle behind subject–verb agreement is simple. But ensuring subject–verb agreement is not as easy as it sounds. Errors in agreement can occur because the writer or editor is unaware of the specific rules of subject–verb agreement. Even for those who know the rule, mistakes can happen due to typos, oversight, or rushing through the editing process.
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